Gothenburg\/Malm\u00f6-based post rock power trio Barrens return with <\/b>Corpse Lights<\/i><\/b>, the band\u2019s second full-length release following their critically-acclaimed 2020 debut <\/b>Penumbra<\/i><\/b>.<\/b><\/p>\n
Five years in the making, <\/b>Corpse Lights<\/i><\/b> sees Barrens strike a breathtaking balance between light and dark; beauty and brutality; the calm and the chaos as the three fast friends refine their formidable command of composition and dynamic even further.<\/b><\/p>\n
One listen to Barrens and the revelation that<\/span> Markku Hild\u00e9n<\/b>, <\/span>Johan G. Winther<\/b> and <\/span>Kenta Jansson<\/b> had already been playing and touring together before forming the band suddenly makes sense. In 2018 Markku joined <\/span>Scraps of Tape<\/b>, Johan and Kenta\u2019s other project as a live drummer for two tours of Europe and a tour of China. Recognising an immediate chemistry, the outlines for what would become Barrens were sketched out in countless vans, trains, planes and bars as they travelled together across the world.<\/span><\/p>\n Back home, the trio wasted no time and quickly turned their collection of notes and motifs into demos; drawing unique inspiration from the experiences they shared as well as exploring new and unknown territories as each member brought elements of their own lives to the table. The result was<\/span> Penumbra<\/i><\/b>, a dense, elegant and passionate collection of instrumental, synth-driven post rock pieces that sounded in no way like the debut album from a brand new band. Rather, <\/span>Penumbra <\/span><\/i>documents the formation of an indelible bond between three kindred creative spirits now lifelong friends.<\/span><\/p>\n Corpse Lights<\/i><\/b>, Barrens\u2019 sophomore album, is somehow deeper, richer and headier; imbued with an alluring compositional patience that serves as unspoken testament to the combined creativity of the trio in their element, as something so much greater than the sum of its parts. Recorded and produced by <\/span>Kristofer J\u00f6nson<\/b>, who also helmed <\/span>Penumbra<\/span><\/i>, and mixed and mastered once again by <\/span>Cult of Luna<\/b>\u2019s <\/span>Magnus Lindberg<\/b>, shimmering synthesizers and sprawling guitars lead the charge propelled by exhilarating drums and percussion but <\/span>Corpse Lights <\/span><\/i>also finds Barrens using space, silence and atmosphere as another instrument if not as another band member entirely.<\/span><\/p>\n From the meticulously crafted sonic arc of lead single \u2018<\/span>Periastron<\/b>\u2019, which rises and falls in effortless yet visceral measure and how \u2018<\/span>Sorrowed<\/b>\u2019 pulls itself apart only to rebuild anew to the mesmering percussive passage in the midst of \u2018<\/span>The Derelict<\/b>\u2019 and the split second of air to catch your breath before epic album closer \u2018<\/span>A Nothing Expands<\/b>\u2019 erupts, <\/span>Corpse Lights <\/span><\/i>can too be considered a document; but this time of the brotherly bond that binds Barrens transcending the confines of life on the road to become something new and uncharted, something alive.<\/span><\/p>\n \u2018Corpse Lights\u2019 is the name given to the folk belief that small coloured lights often appear near the home of someone about to die, leading them along the path to their eventual resting place. Often considered to be evidence of the soul leaving the body, the concept of corpse lights embodies Barrens\u2019 approach to creating music as a cathartic release; not just writing music because they <\/span>want <\/span><\/i>to but because they <\/span>have<\/span><\/i> to. Their writing process is one of joy, light and release as much as it is dark, heavy and tense.<\/span><\/p>\n <\/p>\n <\/p>\n Am Fost La Munte Si Mi-a Placut<\/b> (I Went To The Mountains And I Liked It, also stylised as \u201cAFLMSMP\u201d or \u201cAm Fost\u201d) is a Romanian post-rock\/ post-metal band consisting of five multi-instrumentalists.<\/span><\/p>\n <\/p>\n AFLMSMP <\/b>has shown an inclination towards a barefaced, riff-led take on the post-genres, inviting comparisons with bands such as Pelican and Cloudkicker (dunk!records, 2022) and If These Trees Could Talk (Everything is Noise, 2019). Fans have also generously likened AFLMSMP\u2019s sound to bands like Russian Circles and Isis.<\/span><\/p>\n <\/p>\n Following three full-length releases, as well as a few EPs and live recordings, I Went To The Mountains And I Liked It released their fourth full-length album – a self-titled record of sorts – <\/span>I WENT TO THE MOUNTAIN, (February 2025)<\/b>, co-released by <\/span>dunk!records<\/b> (Belgium)<\/b> and <\/span>A Thousand Arms (USA)<\/b>.\u00a0<\/span><\/p>\n <\/p>\n With the release of their newest record, AFLMSMP present an unrestrained, hard-hitting iteration of their brazen, riff-led take on post-rock and post-metal, as well as more than a few reveals of their other influences outside the post-genres, especially prog and stoner.<\/span><\/p>\n <\/p>\n The band toured Europe in 2025, completing two legs accounting for more than 20 shows & delivering an immersive live performance that has been very well received by fans & first-time-attenders altogether.<\/span><\/p>\n <\/p>\n As seen at dunk!festival (2019, 2023), Tumult Festival (2025), Electric Castle (2017, 2019, 2021), and Rockstadt Extreme Fest (2017, 2025), among others.<\/b><\/p>\n <\/p>\n Spotify: <\/span>https:\/\/spoti.fi\/3p25KfB<\/span><\/a>\u00a0<\/span><\/p>\n YouTube: <\/span>https:\/\/www.youtube.com\/@Amfostlamuntesimiaplacut<\/span><\/a>\u00a0<\/span><\/p>\n Apple Music: <\/span>https:\/\/apple.co\/37NDWWk<\/span><\/a>\u00a0<\/span><\/p>\n Instagram: <\/span>https:\/\/www.instagram.com\/aflmsmp\/<\/span><\/a>\u00a0<\/span><\/p>\n Facebook: <\/span>https:\/\/www.facebook.com\/aflmsmp<\/span><\/a>\u00a0<\/span><\/p>\n